Ogļraču darbs ar baltām čībiņām

Nezinu par baletu, bet man viņš sirdī bija un ir tikai vienīgi Nauris. Žēl, kino palika desmitiem neīzdzīvotu lomu, nu varbūt nākamā dzīvē kino gūs virsroku.... .

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ovog komentara, on se oosdni na tradicionalni stil orijentalnog plesa (raks sharki) kako ga je igrala Tahija Karioka. Dakle, to je vreme pre razvitka Reda stila, koji se zasniva delom i na klasičnom baletu i akrobatici ili modernog kairskog stila kome su pridodati brojni elementi džez-baleta i show plesa. Osim toga, čini mi se da Said misli na energiju plesa, na način kako se izvodi, a ne na neke konkretne plesne figure i u tom smislu bih morala da se složim s njim. Godine koje sam provela trenirajući balet pomažu mi kod orijentalnog plesa u tehničkom smislu, ali energija ovih žanrova je posve drugačija. To posebno dolazi do izražaja upravo tamo gde ima preklapanja u tehnici, npr. arabeske, razni okreti i polu-okreti, croise poze, pozicije ruku itd. Ili uporedite kako se rakasa podiže na poluprste (demipointe) sa time kako to čini balerina: kod orijentalnog plesa odupirete se o tlo, podizanje je postepeno, pokret počinje u mišićima stopala i prenosi se na ostale delove tela, dok u baletu morate da se dignete bestežinski , pokret mora da bude brz i prav kao na oprugama.(Btw, Edvard Said je Palestinac odrastao u Egiptu, koji je posle emigrirao u Ameriku, tako je i on spadao u te stanovnike Egipta Veliki pozdrav, Enisa

Paldies Haraldam Ritenbergam par skaistumu un mākslas brīnumu.

Virsraksts, kaut slēp sevī zemtekstu, tomēr tizls. Baletu nedrīgs salīdzināt ar ogļraču darbu.